How might history have been different if alternate plans for the Reconstruction of the South had been put into practice? Political leaders and parties in the tense time after the Civil War proposed various plans for Reconstruction. By observing artwork of this period, students will learn how these plans affected the South (and North) and relationships between people of different races and geographic regions.

What can we learn about community and culture from folk art? This guide uses SAAM's collection of folk art as a springboard to activities and questions about art and community history.

In this activity, students will analyze documents from the War Department’s Bureau of Refugees, Freedmen, and Abandoned Lands — better known as the Freedmen’s Bureau — that Congress established on March 3, 1865, as the Civil War was coming to an end. Using the scale in Weighing the Evidence, students will evaluate the effectiveness of the Freedmen's Bureau in assisting formerly enslaved persons.

Article in the 1925 magazine "Your car; a magazine of romance, fact and fiction" by a former criminal about his experience working for Henry Ford. The article is on pages 44, 45, and 82.

How do historians analyze sources from the past? KA's historian Kim Kutz Elliott and grammarian David Rheinstrom continue their conversation about how to interpret Roosevelt's First Inaugural Address.

What's the difference between a primary source and a secondary source? KA's historian Kim Kutz Elliott and grammarian David Rheinstrom discuss reading sources by examining Franklin Delano Roosevelt's First Inaugural Address.

Students will identify how Martin Luther King Jr's dream of nonviolent conflict-resolution is reinterpreted in modern texts. Homework is differentiated to prompt discussion on how nonviolence is portrayed through characterization and conflict. Students will be formally assessed on a thesis essay that addresses the Six Kingian Principles of Nonviolence.

Identity is complicated, and changes depending on who you are and where you are. In our country, identity is directly tied to power and some are afforded privileges and others have disadvantages. This course will study identity as a social construct, and will go into further depth on race. Students will study the complications and nuances that go into the formation of identity and race, historical injustices and responses tied to it. We will study redlining, and a specific chapter of history, the South Bronx in the 1960’s. Rap music is currently the most successful music genre, even having small ripples in the country music world. Its origins, often overlooked due to the multi-faceted nature of the music, is a culture with a rich history rooted in social justice, giving a voice to the voices that were silenced. Its origins in the South Bronx, and its usage as a platform in response to social inequity, is often overlooked. Rap is a platform used worldwide to express a specific message. However, its role in academia, and in music in general, is often polarizing. We will do a specific study in rap as a form of response to systemic racism. By interacting with this curriculum, students engage in ethical reflection, in a safe space, finding a platform for their voice, learning content that’s relevant to current day. They will engage in informed conversations about race and equity, producing creative and analytical writing, while significantly improving their analytical reading and writing skills.

This lesson focuses on the American Revolution, which encouraged the founding fathers' desire to create a government that would, as stated in the Preamble, insure domestic tranquility and provide for the common defense. This lesson correlates to the National History Standards and the National Standards for Civics and Social Sciences.

This collection uses primary sources to explore immigration to the US and immigrant Americanization between 1880 and 1930. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.

American cities grew rapidly during the Gilded Age. What brought people to the cities and what were their experiences like? In this video, Kim explores continuity and change in migration patterns from 1865-1898.

In this activity, students will examine documents from the FBI case file about Bloody Sunday in Selma, Alabama. They will answer questions to show understanding of the events that took place, and how the spread of information about Selma impacted the Civil Rights Movement. They will also be asked to think about whether the Federal Government would have acted differently if the FBI knew that the public may be able to see their files — the Government was not required to release records like this until the Freedom of Information Act (FOIA) gave the public the right to request Federal agency records in 1966.

Earl Ubell is a pioneer among science and health writers in America. After a long, distinguished career at The New York Herald Tribune from 1943 to 1966, he went on to work at both CBS and NBC News. Prominent in the emerging scientific writing community in the 1950s and early 1960s, he was a recipient of the Lasker Medical Journalism Award 1957. Milton Stanley Livingston was a leading physicist in the field of magnetic resonance accelerators. Working first with professor Ernest O. Lawrence at the University of California, Livingston was instrumental in the development of the Berkeley cyclotron. Moving to Cornell in 1938, Livingston was part of the core group who established nuclear physics as a field of study. Choosing to stay with the Cornell cyclotron rather than follow colleagues onto the Manhattan Project, Livingston was involved in the production of radioisotopes for medical purposes. At the time of this interview, Livingston was director of the Cambridge Electron Accelerator, a joint project of Harvard University and MIT.In this program segment Louis Lyons quizzes Earl Ubell about the lack of public knowledge and the perception of the nuclear bomb, while pressing Professor Livingston to explain exactly what nuclear fallout is, and the danger it presents.

For many Americans today, snapping a photo is as easy as pulling out a smartphone. However, that digital photo is the result of decades of experimentation and development, from first forays into bulky and difficult-to-use professional cameras to instant-photo Polaroids. Since the advent and eventual commercialization of photography throughout the nineteenth century, cameras have continuously redefined the American public’s conception of how images and history can be captured and shared. Looking to the early cameras of the 1800s to today’s cell phones and social networking apps, this exhibition explores how the personal camera has shaped American consciousness and culture over the course of its development. This exhibition was created as part of the DPLA’s Digital Curation Program by the following students as part of Dr. Joan E. Beaudoin's course "Metadata in Theory and Practice" in the School of Library and Information Science at Wayne State University: Ellen Tisdale, Rachel Baron Singer, Amanda Seppala, Michell Geysbeek, and Jay Purrazzo.

An inauguration is the act or ceremony of bringing someone into a position or an office. Every president of the United States has been inaugurated, dating back to the first executive, George Washington. These inaugurations symbolize a peaceful transition of power between administrations. Although the Constitution provides an oath for the new president to take, all other elements of the modern presidential inauguration grew from traditions, changes, and preferences that evolved over 200 years. As the president's residence, the White House plays an important role in inaugurations. Gain a deeper appreciation of presidential inaugurations and transitions at the White House by learning about the history behind the Oath of Office, inaugural parade, parties, and more.

"A compromise is a little something to make both sides angry." Kim and Sal talk about increased tensions between slave and free states as new territory is added after Mexican-American War and from Compromise of 1850 (especially the Fugitive Slave Act).

At age twenty-seven, physicist Philip Morrison joined the Manhattan Project, the code name given to the U.S. government's covert effort at Los Alamos to develop the first nuclear weapon. The Manhattan Project was also the most expensive single program ever financed by public funds. In this video segment, Morrison describes the charismatic leadership of his mentor, J. Robert Oppenheimer, and the urgency of their mission to manufacture a weapon 'which if we didn't make first would lead to the loss of the war." In the interview Morrison conducted for War and Peace in the Nuclear Age: 'Dawn,' he describes the remote, inaccessible setting of the laboratory that operated in extreme secrecy. It was this physical isolation, he maintains, that allowed scientists extraordinary freedom to exchange ideas with fellow physicists. Morrison also reflects on his wartime fears. Germany had many of the greatest minds in physics and engineering, which created tremendous anxiety among Allied scientists that it would win the atomic race and the war, and Morrison recalls the elaborate schemes he devised to determine that country's atomic progress. At the time that he was helping assemble the world's first atomic bomb, Morrison believed that nuclear weapons 'could be made part of the construction of the peace.' A month after the war, he toured Hiroshima, and for several years thereafter he testified, became a public spokesman, and lobbied for international nuclear cooperation. After leaving Los Alamos, Morrison returned to academia. For the rest of his life he was a forceful voice against nuclear weapons.

What was the Gilded Age? Kim and David discuss the vast wealth and crushing poverty that characterized the era.

This online exhibit explores the history and development of the electric guitar. It includes information about the instrument designers and the musicians who influenced the creation of new guitars and innovations in their sound. Examples of about 40 different guitars are included with descriptions of each. There is also information on how different types of acoustic and electric guitars operate with the sounds of each available for listening. Finally, addition information, references, and links are included.

This collection uses primary sources to explore the invention of the telephone. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.