This art history video discussion examines Donatello's "David", bronze, late 1420s to …
This art history video discussion examines Donatello's "David", bronze, late 1420s to the 1460s, likey the 1440s (Museo Nazionale del Bargello, Florence).
This art history video discussion examines Donatello's "Feast of Herod", panel on …
This art history video discussion examines Donatello's "Feast of Herod", panel on the baptismal font of Siena Cathedral, Siena, Italy, Gilded bronze,1423--1427.
This art history video discussion examines Donatello's "Madonna of the Clouds", c. …
This art history video discussion examines Donatello's "Madonna of the Clouds", c. 1425--35, marble, 33.1 x 32 cm / 13 1/16 x 12 5/8 inches (Museum of Fine Arts, Boston).
This art history video discussion examines Duccio di Buoninsegna's "The Virgin and …
This art history video discussion examines Duccio di Buoninsegna's "The Virgin and Child with Saints Dominic and Aurea", c. 1315, tempera on wood, 42.5 x 34.5 cm (National Gallery, London).
This art history video discussion examines Albrecht Dürer's prints: "Four Horsemen of …
This art history video discussion examines Albrecht Dürer's prints: "Four Horsemen of the Apocalypse" (ca. 1497–98) and "St. Jerome in his Study" (1514).
This art history video discussion examines Albrecht Durer's "The Large Piece of …
This art history video discussion examines Albrecht Durer's "The Large Piece of Turf", 1503, watercolor and gouache on paper, 16-1/8 x 12-5/8 inches / 41 x 32 cm (Graphische Sammlung Albertina, Vienna)
This art history video dicussion examines William Dyce's "Pegwell Bay, Kent - …
This art history video dicussion examines William Dyce's "Pegwell Bay, Kent - a Recollection of October 5th 1858" 1858-60, oil on canvas (Tate Britain, London).
In this art history video discussion Beth Harris and Steven Zucker look …
In this art history video discussion Beth Harris and Steven Zucker look at Albrecht Dürer's "The Four Apostles", oil on wood, 1526. Alte Pinakothek, Munich.
No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make derivative works.
Most restrictive license type. Prohibits most uses, sharing, and any changes.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.