The sections of articles about the U.S. Virgin Islands and Senegal have statements from two sets of authors. One article in each section is a general, inclusive statement written by a member of our curatorial staff.
Employing a point of view generally defined by Smithsonian imperatives for "the increase and diffusion of knowledge," the author engages in the characteristic practices of the Festival. These include: identifying and valorizing traditional cultural practices; explaining them primarily in historical, economic, and social terms; replying to popular stereotypes and supplanting them with empirically derived characterizations; representing geographically and historically bounded cultural wholes.
The other statements are written by authors from the geographic areas featured- the U.S. Virgin Islands and Senegal. These articles are more richly detailed. They address a variety of audiences, reply to a variety of implicit and explicit assertions, and are couched in a variety of styles. They have, of course, been solicited, selected, and edited - processes which are ineluctably based in our Institutional practice. We hope that in spite of this practice, and also in some degree because of it, these short critical pieces do incorporate a variety of voices speaking on noteworthy aspects of folklife.
In this sense, the organization of this year's Program Book represents the practice of the Festival as a whole.
The dialogue of viewpoints, understandings and of cultural styles strengthens the discourse of our national cultural Institution.

In episode 1 of Crucian Cultural Cuisine, Division of Virgin Islands Cultural Education Director Stephanie Brown learns how to make Guava Jelly & Green Gage ...

In Episode 3 of Crucian Cultural Cuisine, the Bayside Kitchen’s Magda Moolenaar learns how to make Kallaloo with Janet Rouse Cochrane.

This is an activity book prepared for elementary school learners by the US Virgin Islands Department of Tourism. There are coloring pages and puzzles designed to engage students in learning the Virgin Islands History. 

A Historical Ecology of Slavery in the Danish WThis lecture by Justin Dunnavant at UC Santa Cruz focuses on the intersection of historical ecology and slavery in the Danish West Indies. He delves into various aspects, including the impact of the slave trade globally, archaeological methods for studying slave shipwrecks, and the ongoing relevance of archaeology in contemporary communities.

The key takeaway from this lecture is a deeper understanding of how the slave trade influenced global ecosystems and societies, particularly through the lens of historical ecology. Dunnavant emphasizes the critical role of archaeology in uncovering the material histories of enslaved peoples and how these insights can guide contemporary cultural and environmental preservation.

Pre-Watch Preparation
Contextual Background: Provide students with a background on the Danish West Indies, the transatlantic slave trade, and basic principles of archaeology and ecology. This could be in the form of a short reading assignment or a classroom lecture.
Key Vocabulary: Introduce key terms and concepts that will appear in the video, such as "historical ecology," "maritime archaeology," and "sustainable archaeology," to ensure students are not bogged down by unfamiliar terminology.

Justin Dunnavant begins the lecture by outlining his research focus on the historical ecology of slavery in the Danish West Indies, emphasizing the integration of archaeological methods with ecological awareness.

He introduces the significance of the transatlantic slave trade in shaping the economic and cultural landscapes of the Virgin Islands, with particular attention to the archaeological evidence from shipwrecks.

Dunnavant discusses his work at the Estate Little Princess, a former Danish plantation on St. Croix, describing the artifacts found and their cultural implications.

The lecture highlights the environmental impacts of slavery, such as deforestation and landscape modification, which were integral to the plantation economy.

The role of community involvement in archaeological practice is underscored, promoting an inclusive approach to studying and preserving history.

Dunnavant presents a case for sustainable archaeology that respects both cultural heritage and the natural environment, aiming to mitigate the impacts of archaeological activities.

The talk concludes with a discussion on the importance of continued research and education to further explore the complex legacies of slavery in the Caribbean.

International Day for Monuments discussion with Former Senator Myron Jackson about the bust of King Christian the IX being removed from the Emancipation Gardens public space as a result of public outcry.

The measure appropriates $20,000 from the St. Thomas Capital Improvement Fund to cover the cost of removing and replacing the sculpture. Additionally, the program promotes new discourses, alternative and nuanced approaches to established historical narratives, and promotes inclusive and diverse points of view.

In Episode 2 of Crucian Cultural Cuisine, the Virgin Islands Good Food Coalition Director Sommer Sibilly-Brown learns how to make Benye with Norma Pemberton-Llanos

ASF presented a virtual conversation between artists Jeanette Ehlers and La Vaughn Belle on “Race in the Colonial Past and Present,” moderated by Ursula Lindqvist, exploring the history of Denmark's colonial presence in the mid-17th century and how it has since affected representation.
In 2018, Virgin Islands artist La Vaughn Belle and Danish artist Jeannette Ehlers created the monumental public sculpture entitled I AM QUEEN MARY, the first collaborative sculpture to memorialize Denmark’s colonial impact in the Caribbean and those who fought against it. In this program, listen to the two artists discuss colonialism and how commemorative representations can impact the public discourse surrounding Danish colonial history. What do these representations mean for people of African descent living in the Nordic Countries? What do they mean to the Virgin Islands? And how can they intervene in the historic, current and future relationship between Denmark and the Virgin Islands?

Excavations on St. Croix fill in history’s blanksAn all-black team of archaeologists explains their approach to unearthing the day-to-day lives of enslaved A...

In collaboration with the Department of Planning and Natural Resources' Division of Preservation, the Virgin Islands Architectural Center, and the Division of Virgin Islands Cultural Education, the slides provided on the supplemental resources sheet explain the architectural and cultural practices that shaped and formed many of the Virgin Islands Historic structures and district's architecture. Learn about the materials and ventricular system that were developed in the Virgin Islands

The St. John Heritage Collective hosts a panel discussion regarding the importance of Virgin Islands Creole.

The day was established by Act 8257, which was signed into law by Gov. Albert Bryan Jr. in January. It commemorates the adoption of the Virgin Islands flag on May 17, 1921.

Through this WeQuest, students in 6th grade will explore the history of the United States Virgin Islands native music Quelbe also known as a "Scratch Band." They will be able to listen to quelbe music and see how dancers dance to the music.